GBG said an audit of the company found it failed to meet the standards required of a supplier by allegedly employing under-age workers in poor conditions and paying minimal wages.

To validate the GBG method, it is applied to the stiffness maximization of plane and curved panels.

采用该方法分别对平面结构与曲面薄壁结构进行了以结构刚度最大为目标的加筋优化设计。

Undoubtedly you know of his piano concerto "choo Choo mama."

毫无疑问你知道他的钢琴协奏曲“火车妈妈”

Structure Analysis of Bartok: Piano Concerto No. 3

巴托克第三钢琴协奏曲结构分析

The Research of Composing Techniques Used in Piano Concerto

钢琴协奏曲《山林》的创作技法研究

Rachmaninov and His 《 The Second Piano Concerto in C Minor 》

拉赫玛尼诺夫与他的《c小调第二钢琴协奏曲》

The Playing Style of Beethoven's C Major Piano Concerto No.1

贝多芬《C大调第一钢琴协奏曲》（第一乐章）的演奏风格

The Study and Performance on Beethoven's Piano Concerto No.2 in B Sharp Major OP.19

贝多芬降B大调第二钢琴协奏曲Op.19的研究与演绎

The research on the piano concerto Yellow River is conducted form four angles by means of various methods mainly based on historical literature and interview notes.

为此，在此项研究中以历史文献和采访记录为主要参考依据，采用多种研究方法从四个方面对钢琴协奏曲《黄河》进行研究。

This paper studies the development of Chinese Piano Concerto context.

本文以中国钢琴协奏曲为研究对象，研究西方钢琴协奏曲形式传入中国后的发展变化。

Contrast of the Piano Concerto the Yellow River and the Yellow River Cantata

钢琴协奏曲《黄河》与《黄河大合唱》之比较

A Creation Research into Brahms's "d Minor Piano Concerto No.1"

这首小提琴协奏曲的独奏者是梅纽因。勃拉姆斯《d小调第一钢琴协奏曲》创作研究

The Creation and Performance Analysis of Chopin's Piano Concerto No.1 in E Minor

肖邦《e小调第一钢琴协奏曲》的创作与演奏分析

Research on the Two Comparisons of The Yellow River Piano Concerto

关于《纲琴协奏曲&黄河》的两项比较研究

On the Art of the Piano Concerto The Yellow River

论钢琴协奏曲《黄河》的创作艺术

We're going to hear the piano concerto "the Yellow River".

我们准备去听钢琴协奏曲《黄河》。

Piano Concerto is foreign musical form which was widely known by Chinese musicians in last 100 years.

钢琴协奏曲是近百年来才开始为我国音乐家所认识和运用的外来形式。

General description of piano concerto works in China

一中国钢琴协奏曲创作概况

First, introducing the background of the creation of Schumann's A Ditty Piano Concerto.

一.舒曼《A小调钢琴协奏曲》的创作背景。

The third part analyzes the background and music style of his Piano Concerto No.2 in B flat major.

第三部分对《降B大调第二钢琴协奏曲》的创作背景和风格特点进行了分析和论述，并针对演奏特点作了较为深入的剖析。

Professor Matthew's talk on the Fourth Piano Concerto was about nothing in particular.

马修教授关于第四钢琴协奏曲的谈话没有触及什么关键性的问题。