Based on the esthetic textual analysis of Persona, filmed by Swedish director Ingmar Bergman, this article discusses the philosophic and esthetic relationship lying in human beings' language and silence, and then discusses the ontological significance that films possess as a specific form of the language.
通过对瑞典导演伯格曼的电影《假面》所进行的电影美学方面的文本分析,探讨存在于人类的言语与沉默之间的哲学与美学关系,并进而探讨电影作为一种语言的形式的本体论意义。
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