Nietzsche的例句大全

Nietzsche believes that life is essentially an abyss of terror and misery, so people may resort to the Apollonian spirit and the Dionysus spirit to escape from reality.

尼采认为人生是恐怖与苦难的深渊，为了逃避生活的重负，人们可以到日神的梦幻世界，也可以到酒神当中去寻找力量。

In his The Birth of Tragedy, Nietzsche highlights two impulses of art, the Apolline and the Dionysian, the two means for man to redeem from the horrible world.

在《悲剧的诞生》中，尼采第一次提出构成艺术的两大元素，日神和酒神，并把它们解释为人生苦难的救赎方式。

This theory embodies the axiological characteristics of Nietzsche's philosophy& ethics.

它有两种基本类型：原创的权力意志和颓废的权力意志，这一思想鲜明地体现了尼采的哲学&伦理学的价值论特征。

But all efforts of this text is to take reader back to the starting point of arduously discussing knowledge of Nietzsche-Body.

但是本文的全部努力都旨在把读者带回到尼采艰巨的知识探讨工作的起点&身体。

George Orwell, Thomas De Quincey, Nassim Nicholas Taleb, Friedrich Nietzsche, Bruce Chatwin, WG Sebald and Vladimir Nabokov are just some of the others who have written about it.

奥威尔（George Orwell）、托马斯？德？昆西（Thomas De Quincey）、纳西姆？尼古拉斯？塔勒布（Nassim Nicholas Taleb）、弗里德里希？尼采（Friedrich Nietzsche）、布鲁斯？查特文（Bruce Chatwin）、温弗里德？格奥尔格？泽巴尔德（WG Sebald）、弗拉基米尔？

The major limitation of the theory is that Nietzsche defies the diversity of the objective world, and is thus trapped in the abstract reductionism and voluntarism.

其根本局限在于无视客观世界的多样性，陷入了抽象的还原主义和唯意志论。

This implication of humanistic concern comes from O'Neill's acceptance and reform of Freud's theory of Unconsciousness and Voluntarism of Schopenhauer and Nietzsche.

剧本这一人文关怀的深层意蕴来自对弗洛伊德本能理论、叔本华和尼采唯意志主义的认同和改造。

Nietzsche's aesthetics of the "map" root in the ductibility and creation of Schopenhauerian voluntarism and ancient Greece tragedy art, lay a foundation on the self-reflection and transcendence of conventional rationalism and then tend towards the regression of aesthetics.

图中尼采美学始源于对叔本华的唯意志论与古希腊悲剧艺术的赓续与创新，奠基于对传统理性主义的反思与超越，从而走向审美感性的回归。

Facing many ethical questions emerged from modernity, Bonhoeffer tried to establish his own" Ethics as Conformation", through his critique on Kant's Formalism and Nietzsche's voluntarism.

朋霍费尔已充分感受到现代性伦理正在涌现的问题，在对康德的形式主义和尼采的意志论的批判中，他试图着手建构其作为塑造的伦理学。

Undoubtedly, Nietzsche's view of artistical value is one of Nietzsche's important thoughts, which affect literature realm.

尼采艺术价值观无疑是尼采影响文艺领域的重要思想之一。

Nietzsche criticizes Platonism and Christianity by changing Schopenhauer swill to live into will to power.

尼采通过将叔本华的生存意志改造为权力意志,彻底批判了柏拉图主义和基督教.

Nietzsche offers a naturalistic account of higher things, which presents them as sublimations of despised things.

尼采为这些更高的事物提供了一个自然主义的说明, 把他们看作是低级事物的升华.

Nietzsche overthrows the two worlds of Platonism and substitutes the new two worlds for them.

尼采颠覆了传统柏拉图主义的“两个世界”学说,代之以新的“两个世界”理论.

Nietzsche: Because if you gaze too long across the Road, the Road gazes also across you.

尼采: 若你一直凝视着路的另一端, 路也要开始注视你了.

Why does Nietzsche call this work a genealogy?

为什麽尼采称呼这为[系谱学]?

If you feel deep emptiness even completely meaningless emptiness, it's because Nietzsche.

如果你感到深深的真空,完全没有意义的空, 那是因为尼采.

Nietzsche ( 1844 ? 900 ) put value and estimate at the center of philosophical reflection.

1844? 900 ) 则把价值和评价置于哲学思考的中心.

Nietzsche stated that Greek tragedy generated by the contradiction between Appollo and Dionysus.

希腊神话与中国上古神话中海神形象之比较.

The Birth of Tragedy, Nietzsche asserts that the protagonists in Greek tragedyare all masks of Dionysus.

尼采认为,希腊悲剧的主角一直是酒神,他们都是酒神的面具.

Hitler admired the work of dour philosophers like Arthur Schopenhauer and Friedrich Nietzsche.

希特勒仰慕阴沉的哲学家如亚瑟·叔本华及费里德里希·尼采的作品.