Benjamin's theory of aurar is shaped in the course of his study of human art forms with the approach of artistic anthropology.
本杰明的韵论就是在他用艺术人类学的方法对人类艺术形式问题进行研究的过程中形成的。
The limit of Benjamin's "aurar" lies in the fact that he imposes too heavy a task on art and the aesthetic and neglects the necessity of proletarian political revolution.
而让艺术与审美担当过大的重任,忽视了无产阶级政治革命的必要性,这是本杰明的韵论的局限性所在。
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