莫言的例句大全

Mo Yan’s novel Red Sorghum first came to wide attention on the big screen both at home and abroad in 1987.

莫言的小说《红高粱》于1987被拍摄为同名电影作品并在国内外获得了广泛关注。

The 2012 Nobel Prize in Literature was awarded to Mo Yan"who with hallucinatory realism merges folk tales, history and the contemporary".

2012年诺贝尔文学奖得主为莫言，他“很好地将魔幻现实与民间故事、历史与当代结合在一起”。

In the narrative of Mo Yan's novels, the desire of the historical narrative becomes the focus, and forms a unique practice way.

莫言的小说创作中，欲望化的历史叙事成为关注的焦点，并据此形成了独特的话语实践方式。

From the "Red Sorghum", Mo Yan almost never stops his exploration and innovation in the aspects of literary style.

从《红高粱》开始，莫言几乎从未停止在文体方面的探索和创新。

The thesis tries to discuss the relationship between Moyan and the freedom.

论文试图阐述莫言与“自由”的关系。

Such works as Red Sorghum, Red Locust, Sandalwood Punishment present a challenge to the reading experience of the readers with a unique aesthetic principle and earning Mo Yan a reputation while arousing controversy among a lot of critics.

《红高粱》、《红蝗》、《檀香刑》等作品以独特的审美原则挑战着读者的阅读经验，给莫言带来了巨大的声誉，同时也引起了众多评论家的争议。

In 1976, Mo joined the PLA ( China's People's Liberation Army) and held the posts of monitor, librarian, teacher and secretary 。

1976年，莫言加入中国人民解放军，历任班长、图书管理员、教员、干事等职。

Legend: Resource of Narration and Feature of Aesthetics of MO Yan's Novels& On Hong Gao Liang Jia Zu and MO Yan's Short Stories and Novelette

传奇：莫言小说的叙事资源与美学特征&以《红高粱家族》及中短篇小说为中心

More than any other Chinese author, Mo Yan is well represented in foreign languages around the world.

相比于中国其他任何作家，莫言的作品在世界各地都有很好的表现。