ousia

The thesis maintains that, opera ousia study should take both music-literary opera and stage-performing opera into research;

本文认为，戏曲本体研究的范围包括两部分：一是作为音乐文学作品的戏曲，二是作为舞台表演艺术的戏曲；

As the main questions of opera ousia study, these questions are always looking forward to people's answers.

这些作为戏曲本体研究的主要问题，一直期待着人们作出回答。

In the end, the thesis treats of some ideas of how to develop opera ousia study.

最后，文末谈了关于如何深化戏曲本体研究的几点思考。

He called this kind of basis and origin "ousia". This conception possesses three links: material, form, and ability, which are united as a whole in its dialectical movement.

亚里士多德把这一根据与本原称为ousia/本在，它被思辨地区分为三个环节：质料、形式、能力，并呈现为三者之间的矛盾运动。