关雎

Thirdly, it is a double layer metaphor of relationship, containing both explicit simile and implicit metaphor.

《关雎》是一个双层关系比喻，既有“表层明喻”，又有“深层隐喻”。

This paper mainly explores the connotation of creative treason through a comparative study of the surface structures of two English versions of The Cooing. This paper points out that the creative treason of translators is chiefly reflected in two aspects-content and style.

文章重点阐述创造性叛逆的内涵，通过分析比较《关雎》两种英译的表层结构，指出文学翻译中译者的创造性叛逆主要体现在内容和风格两个方面。

Scene Three: Guanju& Guanju, the first poem in the Book of Poetry, is a poem depicting a young man arduously pursues a beautiful and kind girl.

第三幕：《关雎》&《关雎》是诗经的首篇，是一首描写一位青年男子炙热追求一位美丽善良姑娘的恋歌。

This paper proves the following points: Firstly, Guanju is a metaphor of relationship.

本文作了如下论证：（一）《关雎》是一个关系比喻；

Confucius is mainly from the point of view of the emotional theory to explore his understanding of" Guan Ju", think that "Guan Ju" the express emotion extent because advocates moderation, so brings "neutral ization" beauty.

孔子主要是从情感论的角度来探讨他对于《关雎》的理解，认为《关雎》在表达情感程度时因为主张节制的方式，所以给人带来了中和之美。

It presents the aesthetic value and idea contained in the poem to the audience and incorporates them into the national spirit and culture so that they can be handed from generation to generation.

把关雎所蕴含的美学价值，和美学理念呈现在观众面前，并融入到我们的民族精神与文化中，代代延承。

GUAN JU took a distinct place in Book of Songs.

《关雎》在《诗经》中占有独特的地位。

GuanJu as the first paragaph of Feng poetry, with the politicalization of the Book of Songs, the folk singable poem rose to classical works and became the exemplar of Confucian political teaching.

《关雎》作为《国风》之始，它随着《诗》的政教化，从民间歌诗上升为儒家进行政治教化的典范篇章。

It is found that the process of development of the illustration and reception of The Book of Songs is clear in the interpretation of Guanjiu of all times.

在历代对《关雎》篇的解读中，可以发现《诗经》的阐释和接受有着较明晰的发展过程。