滑稽,谐谑;
Thought on Farcicality and Laughter
关于滑稽和笑的思考
The center of narration was scenario; the characters were simple; the point of view and sequence of narration were all singularity; the story pursued jollification and garish; the language of the novels was earthliness and farcicality.
小说的叙述以情节为中心;人物形象简单、脸谱化;叙事角度、结构单一;故事情节追求热闹、花哨,语言要求通俗、搞笑。
Besides, his thinking and writings on humor paid attention to the aesthetic value of humor, which includes farcicality, wittiness, naughtiness, irony and laugh.
他的幽默观和幽默小品创作又特别重视幽默的审美价值,创造了滑稽、机警、俏皮、讽刺的“笑”的美感情趣。
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