Compared with the traditional social belief, the modern social belief was a new kind of social belief which centered on "God is dead" on the base of full development of modern industry, science, rationality, and individuals' freedom in Western society.

He was dead on arrival at the hospital.

在被送到医院之前，谭卓就已经死亡。

Both were dead on arrival at the hospital.

在送达医院时两人都已死亡。

It means "Dead On Arrival."

意思是“中途夭折”

The driver was certified dead on arrival at the hospital.

司机被证明送到医院时已经死亡。

They rushed her to casualty but she was dead on arrival.

他们赶紧把她送往急诊室，但她被送到时已死亡。

He was dead on arrival at the nearby hospital.

到达附近的医院时他已经死亡。

She was pronounced dead on arrival at the hospital.

到达医院时她被宣告已经死亡。

Support on a particular technology is also quiet important as you might be stuck at a dead end and need a way through.

对于特殊技术的支持也相当重要，因为你可能会碰壁，需要找到条出路。

Even though your research appears to be at a dead end now, you shouldn't lose heart but keep on trying.

即使你们的研究现在似乎没有什么进展，你们还是不应该泄气，而要继续进行下去。

Lateral thinking has helped him to advance his new theory which had seemed to reach a dead end.

横向思维帮助他提出了原来似乎已走进死胡同的心理论。

With the failure of the experiment, we have reach a dead end.

试验失败了，我们一筹莫展。

Without famous brands, the low-end products will sooner or later come to a dead end.

没有品牌，产品低档的传统道路已经走不通了。

Nowadays, law history studies in China have come to a dead end.

我国的法律史学目前正在走入困境，研究现状令人担忧。

Our research seems to have come to a dead end.

我们的研究工作似乎搁浅了。

The colours are from the de Stijl book of dos and don'ts, yet the angles culminate in a glazed point in an alleyway that would not pass any functionalist exam.

的颜色是从德风格派该做什么和不该做什么的书，但最终的角度来看，在一个小巷里，玻璃一点不会放过任何功能主义考试。

According to the aesthetic of De Stijl, the unity of all the arts will, in a word, transform our architecture and interior surroundings into the art, called'Gesamtkunstwerk'.

为了达到“一切艺术的统一”，风格派的美学准则致力于把我们的外在环境与生活改造为艺术，亦即“总体艺术作品”。这对今天的设计教育仍然具有启发意义。

Netherlands as the center, 'De Stijl' is an international activity flourished from 1917 to 1931. It has profound influence on modern art, architecture and art design in 20th century.

风格派（DeStijl）是活跃于1917-1931年间，以荷兰为中心的一场国际艺术活动。它对20世纪的现代艺术、建筑学和艺术设计产生了深远持久的影响。

We can analyse the different facade features ( between) Chinese classical architecture and modern architecture influenced by de Stijl of Holland.

我们将中国古典建筑的立面特点和现代主义的先锋运动荷兰风格派运动影响下的现代建筑立面进行比较，可以看到二者立面的许多处理手法都是一致的。

There are four reasons for De Stijl's influence on modern graphic design: its design concept accords with the demand of modern life and production;

这一现代艺术流派之所以对现代平面设计产生巨大影响，一是其创作理念符合现代生产和生活的要求；

The ideological root of De Stijl is Holland's idealistic philosophy, abstract concept of mysterious world from late cubism painting structure, and Mathieu H J Schoenomaekers Plastic Mathematics.

风格派运动的思想，根源于荷兰理想主义哲学和随后期立体派绘画结构概念而来的抽象式神秘宇宙观以及舒恩梅克“造型数学”理论。