This is a 17 th century fresco and is located in the Svetishoveli Cathedral in Mtskheta, Georgia.

They are built on the Byzantine pattern, in small scale, and have painted fresco decoration.

他们以拜占廷式的图案建造, 小面积地用壁画做装饰.

Illustrations to the West Paradise , Tang dynasty, cave fresco , cave 217 , Mogao Grottoes, Dunhuang.

西方净土变(局部), 唐, 石窟壁画, 敦煌莫高窟第217窟.

Forms manifest fresco, designer thinks by images.

壁画本身是以形式来表达, 设计师就是以图像来思维的.

The grains on spear likes the national grains of fresco of Guangxi Flower Mountain.

矛上的回纹铭很象广西花山壁画上的民族纹饰.

This huge fresco is extremely clear and just like nature itself . It is very harmonious.

这一巨幅壁画,清晰有致且又浑然天成, 十分和谐.

So it is quite necessary to study the influence of visual thinking over fresco.

因此,研究视觉思维对壁画的影响和作用是十分必要的.

Part of a wall painting here, a bit of a fresco there.

墙上这一部分是油画, 那一小部分是壁画.

A fresco showing festivities of Tibet in the Potala Palace.

布达拉宫内反映西藏节庆活动的壁画.

Visual thinking participates the whole process of fresco design and the process of appreciation as well.

视觉思维参与了壁画设计的始终,同时视觉思维也参与了欣赏的全过程.

The essay will discuss the problems of contemporary Fresco in view of the theory and practice.

本文的讨论试图从理论和实践两个方面入手,对当代壁画的问题进行深入的讨论.

This a 15 th century fresco from Kiev. Seems to show Jesus in a rocket type device.

这是来自基辅15世纪壁画.似乎显示耶稣在类型火箭的设备.

Zhou Fang started to paint the fresco for the temple based on the final draft.

这时,周舫依照最后的草图,挥笔做成了壁画.

An illustration to the Battles between Sariputra and Raudraksa, fresco in Cave 196, Mogao Grottoes, Dunhuang.

劳度叉斗圣变(局部),唐,石窟壁画, 尺寸不详, 敦煌莫高窟第196窟.

There is an exquisite fresco on that porch.

后面的抱厦上绘有精美的壁画.

So we say that visual thinking play an important role in designing and appreciating fresco.

因此,我们说视觉思维在壁画设计和欣赏过程中起着不可低估的影响和作用.

He turned to Teddy and asked, What do you think of this fresco?

他转向泰迪,问道: 你觉得这幅古老的壁画怎么样?

A fresco is a painting made directly in the wet plaster of a wall.

这幅壁画是用湿石膏直接绘制在未干的灰泥墙上的.

This article try to research and make a result about Dunhuang fresco composition of Tang Danasty.

本文试图就壁画的布局与构图方面对唐代敦煌壁画作以浅析归纳与总结.

Despite a tomb fresco , it is an uncommon portrait work in Tang dynasty.

虽然是墓室壁画, 实为唐代不可多得的人物画精品.

Painted with the intensity of fresco, they haunt the memory, loaded with illusion and nostalgia.

用强烈的壁画描绘, 他们萦绕着记忆, 充满了幻觉与怀旧之情.