In the course of this change, the artistic ontology of feelings presented by poetry in Chinese esthetics was set up as a consequence of exploration on emotions or emotionlessness on the part of saints.
在这转变中,通过对圣人有情无情的探究,树立了诗缘情的中国艺术本体论;
简答网 · 双语娱乐资讯
简答网 · 中考英语
简答网 · 初中英语作文
简答网 · 四六级英语
简答网 · 高考英语