轻歌舞剧编剧者,杂耍演员;
In view, a humble vaudevillian veteran cast vicariously as both victim and villain vicissitudes of fate.
一位谦虚的杂耍老手代苦难命运的受害者和加害者演出这个面孔.
If Beyonc é is the dominant figure in 21st-century music, perhaps it's because pop has circumnavigated back to its 19th-century vaudevillian roots, to a time before disembodied voices came to us through hi-fi speakers or noise-canceling headphones, when music was, exclusively, a performing art.
如果说碧昂斯是21世纪音乐界的主导人物,也许是因为流行音乐又回归到了19世纪轻歌舞剧的根源,回到了我们通过高保真音响或降噪耳机聆听没有实体的声音之前的时代,那时音乐是唯一的表演艺术。
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