Nietzsche的例句大全

A wise man never loses anything if he has himself. ( Nietzsche )

聪明的人只要能掌握自己,便什么也不会失去. ( 尼采 )

In this sense, the words of Friedrich Nietzsche still hold true today.

从这个意义上讲, 弗里德里希·尼采(FriedrichNietzsche)的话今天仍然是正确的.

Nietzsche almost suffered mental disorder at the last phase of his life.

尼采在他生命的最后阶段,几乎神经错乱了.

In the future, philosophers will continue the work of Schopenhauer and Nietzsche.

将来, 哲学家将继续叔本华和尼采的事业.

First of all I want to discuss Nietzsche's word.

首先我想讨论尼采的话.

He suggests that Nietzsche was trying each style on for size.

他的言下之意是尼采当时正在尝试每一种风格。

I resonate greatly with the views of Schopenhauer, Voltaire, Nietzsche, Freud.

我非常认同叔本华 、 伏尔泰 、 尼采 、 弗洛伊德的观点.

I think, Nietzsche did not reject science and not negate rationality completely.

本文认为, 尼采并不拒绝科学,也不完全否定理性.

He ate up Nietzsche and degenerated into a fascist.

他接受了尼采的思想,堕落成法西斯分子.

Friedrich Nietzsche advocated the doctrines of power and the Christian morality.

尼采继承了叔本华的理论后,更进一步的反叛理性主义与基督教精神,推崇强权与霸权.

At Columbia University he was a student of Nietzsche.

而在哥伦比亚大学求学期间,他又是一位研究尼采的学生.

Nietzsche rejected God's law and wrote some overtly blasphemous things.

尼采拒绝上帝的律法,并且写了一些渎神的作品.

Nietzsche knows nothing of meditation , which is another half of the coin.

尼采不知道静心 -- 那是硬币的另一半.

But Nietzsche's words are just one half of a coin.

但尼采的话只是硬币的一半.

The third part discusses the later period of Nietzsche artistical value.

第三部分论述尼采后期艺术价值观.

This implication of humanistic concern comes from O'Neill's acceptance and reform of Freud's theory of Unconsciousness and Voluntarism of Schopenhauer and Nietzsche.

剧本这一人文关怀的深层意蕴来自对弗洛伊德本能理论、叔本华和尼采唯意志主义的认同和改造。

The major limitation of the theory is that Nietzsche defies the diversity of the objective world, and is thus trapped in the abstract reductionism and voluntarism.

其根本局限在于无视客观世界的多样性，陷入了抽象的还原主义和唯意志论。

Nietzsche highlights two impulses of art: the Apollonian Art and the Dionysian Art.

同时，尼采强调了艺术的两种动力，即日神艺术与酒神艺术。

Nietzsche's aesthetics of the "map" root in the ductibility and creation of Schopenhauerian voluntarism and ancient Greece tragedy art, lay a foundation on the self-reflection and transcendence of conventional rationalism and then tend towards the regression of aesthetics.

图中尼采美学始源于对叔本华的唯意志论与古希腊悲剧艺术的赓续与创新，奠基于对传统理性主义的反思与超越，从而走向审美感性的回归。

Nietzsche called this " the will to power. "

尼采称这个欲望为 “ 权力意志 ”.